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Wednesday January 27, 9:30-1pm.
Screening-discussion for high school pupils The First Deportees
Screening of the film: ‘Premier Convoi’ (The First Convoy) by Pierre-Oscar Levy (1992, 100 min) with Henri Borlant (witness) and Alexandre Borycky, Association Convoi n°6
Moderator: Claude Singer, in charge of the Mémorial de la Shoah pedagogy department.
Free of charge for pupils in the Paris area under the partnership with the Ile de France Regional Council.
Information and Reservations: 01 53 01 17 26
Thursday, January 28, 2010
Spiritual music in the midst of Nazi turmoil. Symposium as part of the ‘Festival Voix étouffées’ (Stifled voices)
The purpose of the ‘Voix Etouffées’ Forum is to rediscover the composers who were persecuted under Nazism between 1933 and 1945. In parallel to their performances, the Forum organizes symposiums. This year’s international symposium is devoted to Jewish and Christian spiritual music in Nazi Germany as well as in the Powers of the Axis, the allied nations and the occupied or annexed nations. How did the defense and illustration of the art of Hazanout manage to survive in Berlin between 1933 and the beginning of WWII? Does the work of composers such as Arnold Schönberg, Hans Gal, Arno Nadel and Mario Castelnuovo-Tedesco bear the mark of those infamous times? What were the characteristics of the music in underground synagogues in France between 1940 and 1944? Once peace was restored, how was liturgical music organized in displaced persons’ camps?
Program:
10:30 Conference: From Persecution to the Return of Peace
De Profundis Cantata (1936) by Hans Gal (1890-1967): a spiritual response to Nazi persecution by Suzanne Snizek, University of British Columbia (Canada). Mario Castelnuovo-Tedesco (1895-1968), friend of Arturo Toscanini and composer of religious music refugee in the United States, by Ettore Tappi, Music historian (Florence). Arno Nadel (1878-1943) and sacred Jewish music in the ‘Jüdischer Kulturbund’, by Lily E. Hirsch, University of Cleveland (USA). Underground Jewish liturgical music in France between 1940-1944. The restoration of Jewish sacred music in occupied Germany (1945-1950) by Tina Fruehauf, Columbia University of New York. 3pm Screenings: Elégies d’Auschwitz (Elegy for Auschwitz)
By Fréderic Cristea and Amaury du Closel (Grande-Bretagne, 2009, 40 min, KMI Productions London) This documentary relates Amaury du Closel’s journey to Auschwitz with his musicians in April 2009, as well as the master class and the concert performed there at the Karol Szymanowski Music School in April 2009.
‘Sons lointains’ (Sounds from afar)
By Bernhard Pfletschinger (Cologne, 2009, 45 min, Schnittstelle Productions) This documentary describes the ban of music composed by Jews in Germany between 1933 and 1945 and includes testimony by Berthold Goldschmidt, Tzi Avni and Haim Alexander. Ms. Ursula Mamlok (*1923), American composer born in Berlin who fled Nazi Germany in 1939 was to become honorary professor at the University of New York. Ursula Mamlok will be in attendance.
8pm Concert: Ensemble K
(90 min including intermission) The Ensemble K is the result of the shared interest in the theme of ‘degenerate art’ (entartete Kunst) of its three founding members: Élodie Haas, violin, Thomas Zimmermann, clarinet and Thierry Ravassard, piano. They will be interpreting chamber music composed by Hans Gal, Srul Irving Glick, Paul Hindemith and Ursula Mamlok at the Mémorial de la Shoah.
For this performance the cellist Thérése Bussière-Meyer will join the founding members of Ensemble K.
Reservations required at ‘Forum des Voix étouffées’: 331 44 83 03 00.
Full program and prices at: www.voixetouffees.org
Symposium:
Wednesday January 27, 2010, Jerusalem Hall at the Grande Synagogue de la Victoire Thursday January 28, 2010, Mémorial de la Shoah Friday, January 29, 2010, Presbytery at the Reformed Church ‘Eglise réformée de l’Oratoire’.
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