Around the exhibition



GUIDED TOURS

Thursdays, 6 January, 3 February and 3 March 2011, 7:30 p.m.

Free guided tours of the exhibition without prior reservation.

PUBLICATION

Album

Ir ne N mirovsky, a destiny in images, Deno l / IMEC / M morial de la Shoah, 2010,
Pr faces dOlivier Philipponnat, Olivier Corpet and Jacques Fredj.


Commander

CONFERENCES, SCREENING

Monday 24 January 2011, 7.30 p.m.
lecture, Irène Némirovsky, by Irène Jacob, actress.

In Le Bal, one of her first novels, Irène Némirovsky evokes the pangs of adolescence. Suite française leads us on the roads of the exodus of June 1940 within the tragic disorder of French families; while Les Vierges, last text published during his lifetime, the same day he was interned at the camp de Pithiviers, resonates "of the worst humiliated, bitter loneliness, that of abandonment, of betrayal".


Rates: 12 euros / reduced 8 euros
Edmond J. Safra Auditorium, level -1


Book

Wednesday 2 February 2011, 7 p.m.
projection, The Ball

from Wilhelm Thiele
(France, fiction, 73 min, 1931, TF1) With Danielle Darrieux.
Published by Grasset in 1930, The Ball, bestselling novel ofIrène Némirovsky, was adapted into a film the following year by the German filmmaker Wilhelm Thiele.
The film, which will reveal Danielle Darrieux, describes the difficult transition from adolescence to adulthood and takes a critical look at the bourgeois milieu of the time.

In the presence ofÉric Le Roy, Head of the Access Department, enhancement and enrichment of the collections of the CNC’s French Film Archives.


Rates: 5 euros / reduced 3 euros
Edmond J. Safra Auditorium, level -1


Book

Thursday 14 October 2010, 7 p.m.
Ir ne N mirovsky, from Russia’s childhood; Suite fran aise

Ir ne N mirovsky, un destin en images, Deno l / IMEC / M morial de la Shoah, 2010. Faces of Olivier Philipponnat, Olivier Corpet, and Jacques Fredj.


Free Entry by reservation


R serve

Tuesday 26 October 2010, 7 p.m.
David Golder

by Julien Duvivier (France, fiction, 1930, 88 min, Les Films Marcel Vandal et Charles Delac, d apr s le roman d'Ir ne N mirovsky) Julien Duvivier is one of the most important classical French authors. His films are inspired by a very special sense of fatality and a pessimistic vision of humanity. David Golder, his first talkie, is the story of a wealthy Jewish banker, Golder, who lives for his daughter Joyce...

In the presence of Claude Singer, historian, head of the pedagogical department of the M Holocaust Memorial.


Rates: 5 euros / r duit 3 euros
Edmond J. Safra Auditorium, level -1


R serve

Tuesday 2 November 2010, 7 p.m.
The houses of dition under the Occupation

Ir ne N mirovsky mainly had three directors, whose attitude under the Occupation reflected diversity and ditorial policies since June 1940. Bernard Grasset, acquired, the collaboration, proc to the shelling of his works; Jean Fayard s stick to it, the strict application of the first statute of the Jews; Albin Michel, seul, continues the marketing of his novels, the payment of advances and the ordering of works under a pr-name. Above all, in this particular case, how did the major houses of thought accommodate the directives of the occupier, notably the Aryanization and the prohibition of Jewish authors? How to value the port e of the clandestine movement? What upheavals does the Lib ration introduce into this sector?

In the presence of Pierre Assouline, journalist and Crivain, Jean Bothorel, journalist and Crivain, Dominique Fernandez essayist, crivain, acad micien, Roger Grenier, crivain, and Olivier Phillips.Anim e by Olivier Barrot, journalist, crivain, producer of the vision.


Rates: 5 euros / r duit 3 euros
Edmond J. Safra Auditorium, level -1


R serve

Thursday 4 November 2010, 7 p.m.
Conversion in the interwar period: the choice of a faith or the rejection of its identity?

It was in the particular context of Years 1930, during which a rejection of the Jews often manifested itself through religious literature as well as a decline in the religious practice of Judaism, that the conversion of Mirovsky, her husband and their daughters took place in 1939. A fairly strong current of conversion to Catholicism existed from the turn of the twentieth century, when it saw the baptism of Jewish authors and thinkers such as Max Jacob. What was their position vis-à-vis their original religion? What was the Ir n mirovsky march?

In the presence of Philippe E. Landau, curator of archives at the consistory, Catherine Fhima, doctoral student in history, the EHESS/CRHS, Fr d ric Gugelot, historian, the EHESS/CEIFR, and Olivier Phillips. Anim e by Danielle Delmaire, historian, professor, professor, the university, Charles de Gaulle-Lille III.


Rates: 5 euros / r duit 3 euros
Edmond J. Safra Auditorium, level -1


R serve

Mentions the galesContact