Around the exhibition
GUIDED TOURS
Thursdays, 6 January, 3 February and 3 March 2011, 7:30 PM
Free guided tours of the exhibition without prior reservation.
PUBLICATION
Album
Ir ne N mirovsky, a destiny in images, Deno l / IMEC / M Shoah Memorial, 2010,
Pr faces ofOlivier Philipponnat, Olivier Corpet and Jacques Fredj.
Commander
CONFERENCES, SCREENING
Monday 24 January 2011, 7.30 p.m.
lecture, Irène Némirovsky, by Irène Jacob, actress.
In Le Bal, one of his first novels, Irène Némirovsky evokes the throes of adolescence. Suite française takes us on the roads of the exodus of June 1940 within the tragic disorder of the French families; while The Virgins, last text published during his lifetime, the very day of his internment at the camp of Pithiviers, resonates «of the worst humiliated, bitter loneliness, that of abandonment, of betrayal».
Rates: 12 euros / reduced 8 euros
Edmond J. Safra Auditorium, level -1
Book
Wednesday, February 2, 2011, 7 PM
projection, The Ball
of Wilhelm Thiele
(France, fiction, 73 min, 1931, TF1) With Danielle Darrieux.
Published by Grasset in 1930, The Ball, successful novel ofIrène Némirovsky, is adapted to cinema the following year by the German filmmaker Wilhelm Thiele.
The film, which will reveal Danielle Darrieux, describes the difficult transition from adolescence to adulthood and takes a critical look at the bourgeois environment of the time.
In the presence ofÉric Le Roy, head of the access department, enhancement and enrichment of the collections of the French Film Archives of the CNC.
Rates: 5 euros / reduced 3 euros
Edmond J. Safra Auditorium, level -1
Book
Thursday, October 14, 2010, 7 PM
Ir ne N mirovsky, from the Russian childhood French continuation
Ir ne N mirovsky, a destiny in images, Deno l / IMEC / M Shoah Memorial, 2010. Faces of Olivier Philipponnat, Olivier Corpet and Jacques Fredj.
Free Entry by reservation
R serve
Tuesday, October 26, 2010, 7 PM
David Golder
by Julien Duvivier (France, fiction, 1930, 88 min, Les Films Marcel Vandal and Charles Delac, d apr s le roman d Ir ne N mirovsky) Julien Duvivier is one of the most important classical French directors. His films are inspired by a very particular sense of fatality and a pessimistic vision of humanity. David Golder, his first talking film, is the story of a rich Jewish banker, Golder, who lives only for his daughter Joyce...
In the presence of Claude Singer historian, head of the educational service of the Shoah Memorial.
Rates: 5 euros / r duit 3 euros
Edmond J. Safra Auditorium, level -1
R serve
Tuesday, November 2, 2010, 7 PM
The houses of dition under the Occupation
Ir ne N mirovsky mainly had three directors, whose attitude under the Occupation reflects the diversity of ditorial policies since June 1940. Bernard Grasset, acquired the collaboration, as a result of shelling his works; Jean Fayard s holds the strict application of the first statute of the Jews; Albin Michel, alone, pursues the marketing of his novels, the payment of advances and the ordering of works under a pr te-nom. Apart from this particular case, how do the large publishing houses accommodate the directives of the occupier, particularly with regard to Aryanization and the prohibition of Jewish authors? How to evaluate the clandestine port of the edition? What upheavals does the Lib ration introduce in this sector?
In the presence of Pierre Assouline, journalist and crivain, Jean Bothorel, journalist and crivain, Dominique Fernández, essayist, crivain, acad micien, Roger Grenier, crivain, and Olivier Philipponnat.Anim e by Olivier Barrot, journalist, crivain, producer of t the vision.
Rates: 5 euros / r duit 3 euros
Edmond J. Safra Auditorium, level -1
R serve
Thursday, November 4, 2010, 7 PM
Conversion in the interwar period: the choice of a faith or the rejection of its identity?
It was in the particular context of the 1930s, during which a rejection of the Jews often manifested themselves through literature as well as a decline in the religious practice of Judaism, that the conversion of Irène Mirovsky, her husband and their daughters took place in 1939. A fairly strong current of conversion to Catholicism existed at the turn of the 20th century, which saw the baptism of Jewish authors and thinkers such as Max Jacob. What was their position vis-à-vis their original religion? What was the Ir n mirovsky march?
In the presence of Philippe E. Landau, conservator of the archives at the consistory, Catherine Fhima, PhD student in history l EHESS/CRHS, Fr d ric Gugelot, historian the EHESS/CEIFR, and Olivier Philipponnat. Anim e by Danielle Delmaire, historian, professor m rite l universit Charles de Gaulle-Lille III.
Rates: 5 euros / r duit 3 euros
Edmond J. Safra Auditorium, level -1
R serve
